Located within the Center of Excellence, The Jules Verne Writing Residency provides a space of creation and reflection to a Francophone writer who works on a literary project during her/his time at OSU. They contribute to the intellectual and creative life of the Department of French and Italian as well as the OSU and Columbus communities by giving lectures, attending classes, and meeting with undergraduate and graduate students.
Named after Jules Verne, whose work was widely influenced by the expansion of the United States during the 19th century, the writing residency invites creative writers who intend to use their stay in Columbus to work on a project related to today’s America.
Invited by the director of the Center of Excellence, the author in residence will receive a fellowship and a travel allowance to come to Columbus for a three to four weeks period of her/his choice. They will be hosted at the Italian Village Carriage House, a recently renovated house nestled in the heart of the quaint and charming Italian Village, just two blocks from the Short North Arts District.
The Jules Verne Writing Residency at The Ohio State University is made possible by the French Cultural Services in the United States, the French consulate in Chicago, the Department of French and Italian at The Ohio State University, and the Office of International Affairs at OSU.
We are impatient to receive François-Henri Désérable at The Ohio State University. A warm thank you to those who have supported this project since January! See you in 2023!
The Center of Excellence and the Department of French and Italian at The Ohio State University are excited to announce that they will welcome François-Henri Désérable in 2023, as part of a partnership between the Villa Albertine and our Jules Verne Writing Residency.
François-Henri Désérable is a French writer born in 1987 and the author of four novels published by Éditions Gallimard. His most recent book, Mon Maître et mon vainqueur, won the Grand Prix du roman de l’Académie française in 2021.
While at The Ohio State University, FH. Désérable will work on the following project:
In the Spring of 2022, the Jules Verne Writing Residency had the pleasure of welcoming its inaugural resident, Michaël Ferrier.
Ferrier is a French writer, novelist and essayist, Professor at Chuo University in Tokyo (Japan), and Director of the Research Group Figures de l’Etranger.
He is the author of several texts on Japanese culture (The Temptation of France, the Temptation of Japan: Crossed Views (ed.), Arles, Éditions Picquier, 2003; Fukushima, récit d’un désastre, Paris, Gallimard, 2008), and essays about art and literature (Louis-Ferdinand Céline, Pierre Guyotat, Georges Perec, Pascal Quignard, Philippe Sollers…).
He is also the author of several novels: Tokyo, Petits portraits de l’aube, Paris, Gallimard, 2004; Sympathie pour le Fantôme, Paris, Gallimard, 2010; Mémoires d’outre-mer, Paris, Gallimard, 2015; François, portrait d’un absent, Paris, Gallimard, 2018; Scrabble, une enfance tchadienne, Paris, Mercure de France, 2019.
Mémoires d’outre-mer has been translated by Martin Munro in English: Over Seas of Memory, Nebraska University Press, 2019, with a preface by Patrick Chamoiseau.
Scrabble’s translation (Scrabble, A Chadian Childhood) will soon be available too (Liverpool University Press, 2022).
Ferrier has won several literary prizes: the Asia Literary Prize in 2005, the Golden Door Prize in 2010, the Édouard Glissant Prize in 2012, the Franz Hessel Prize for Contemporary Literature in 2015, and the Prix Décembre, one of France’s premier literary awards, in 2018. (Website: http://www.tokyo-time-table.com)
While at OSU, M. Ferrier worked on the following project:
“The book I plan to write is a portrait of the American architect Buckminster Fuller (1895-1983).
It is part of a trilogy about three major scientists, but whose work is hardly known to the public (the two others are the Japanese physicist Nakaya Ukichirô, 1900-1962, and the Hungarian biologist Tibor Gánti, 1933-2009).
The aim of this trilogy is, through these three characters from three continents and three very different cultures, to describe the evolution of the relationships between science and progress in the modern era, in order to ask some of the most crucial questions facing us today, in these times of global warming, nuclear proliferation and environmental degradation on a planetary level.
A self-described “design scientist”, Buckminster Fuller is best known for his use of modern-day technology to improve housing. That culminated in 1947 with the development of the geodesic dome (patented in 1954), a lattice-shell structure based on a geodesic polyhedron that uses lightweight materials to create large, enclosed spaces unobstructed by supporting columns: the maximum space available for the smallest possible supporting structures.
But Buckminster Fuller also imagined a multitude of inventions that made him look like a very strange man in his time but take on a completely new and current resonance nowadays: the shelf that brings you your clothes or the composting toilets (toilets that turn excrement into compost) for instance.
“Bucky” was too far ahead of his time. The materials he needed didn’t exist yet. The ideas he defended would not be understood until many years later. Today, the research he has conducted has potential applications in fields as varied as medicine, skincare, aging, solar cells…
What is progress? How has the very definition of progress changed during the 20th century? And nowadays, how do we imagine our future?
The old positivist and evolutionary conception of progress seem to be gradually giving way to alternative conceptions, still in the minority and often strongly contested. Buckminster Fuller was, as early as the last century, a brilliant precursor and the promoter of a new way of thinking.
He used to say: “You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.”